Prevented the opportunity from claiming discourse, she can’t survive the derisive discussions of the brutal world. All through the play Ophelia spoke to the flower theme; lovely yet delicate. Being a female in a kingdom loaded with disarray and misleadings, the guiltless Ophelia power to keep noiseless and obey to the oppressive men throughout her life. In spite of the fact that Ophelia isn’t the central character in Hamlet, the group of onlookers can not feel thoughtful toward a character who has experiences passionate and physical suffrages all through this disaster. With the ruler expressive points of interest and the cleric remarks on the way of her demise, we would then be able to presume that Ophelia passing was a suicide not a mishap. “Ruler: Fell in the sobbing rivulet. Her garments spread wide, and mermaid-like for a short time they bore her up, which time she droned grabs of old tune, as one unequipped for her own particular misery, or like an animal local and indued unto that component.” (IV, VII: 190-195) Shakespeare has purposely left Ophelia’s demise with a question mark about whether it was a mischance or suicide. He has done this to enable the group of onlookers to picture her demise as they needed to. As she bites the dust she sings “grabs of old tunes”. We are along these lines urged to accept without battle, the singing lady surrendered to the water and suffocated. Ophelia, made crazy by Hamlet’s mercilessness and the murder of her adored father, dives from a tree limb and after that into a waterway. Despite the fact that her fall might be a mishap, Ophelia makes no endeavor to spare herself, and in this manner her suffocating is seen as a suicide. Gertrude portrayed her demise as “mermaid-like”. Shakespeare has utilized this dialect to include a feeling of quiet and quietness. In another sense Ophelia has acknowledged this destiny, nor once did she oppose or battle back the waterway ebb and flow. “Undertaker: Is she getting a Christian entombment, despite the fact that she obstinately took her own particular life?” (V, I: 1-2) “Undertaker: For here untruths the point; on the off chance that I suffocate myself wittingly, it contends a demonstration, and a demonstration hath three branches – it is to act, to do, to perform; argal, she suffocated herself wittingly.” (V, I: 9-11) “On the off chance that she wasn’t a honorable woman, she wouldn’t get a Christian Burial,” remarked the undertaker. Days has gone after Ophelia suffocating occurrence, the kingdom start to scrutinize the authenticity of Ophelia entombment, because of the way of her demise. Amid the medieval period, self-kill was a mortal sin according to the Church, punished by denial of entombment in sanctified ground. Indeed, even the cleric made remarks how it would manhandle the Christian internment framework if he somehow happened to sang a grave requiem and let her go like a spirit that bite the dust in peace. On the off chance that this was not a suicide, Shakespeare wouldn’t include the “mermaid” symbolisms and the reoccurring points about the authenticity of her internment. In most Shakespearean plays, for example, “Romeo and Juliet”, “Macbeth” the female hero tends to turn to suicide, this play isn’t a special case. At the point when Juliet discovered that Romeo has passed on, she instantly drank the toxin with no wavering. While in “Macbeth”, Lady Macbeth heart influences her to such a degree, to the point that she in the long run confers suicide.